The bureaucrat who became a cultural icon of the North East

In the mid nineties things became even more interesting for my father with a commission from the Election Commission. They wanted him to make a campaign video to create awareness about voting. His awareness campaign was such a big success that it was made into a commercial CD. And that led him to a second commission – a contract from Doordarshan, (India’s first national and regional Channel) for a TV series. He spearheaded (writing, directing and acting) the sitcom Ki Kam U Bah Beshbha, with local and khasi characteristics (influenced by the sitcom Mind your Language as well as Elvis Presley’s character across many of his skits.) that went on for 3-4 years. He revolutionised the concept of Khasi Televison in Meghalaya, that had never been done before. The entire series is now available on YouTube. My father had become a regional star and when he would drop my son off at school, everyone would ask him for autographs.

The Kurukh Adivasi family of Argora

Here my aunt stands straight and bold, with her hands crossed, next to her elder sister (standing middle), Ramkrishna, whom she lovingly called Chamguru, as it was the name of the village she was married into. In the middle, seated is her eldest sister Seeban with her two daughters, Peetal and Dol. The little boy is their youngest brother Vimal. The awkward gentleman standing right most was their next door neighbour. Badi-mumma cannot recollect his name but says that Vimal had invited him to be photographed and he acceded. The photograph was taken outside their home by their bhatu (brother-in-law) Naru Toppo, Seeban’s husband. Naru was a local  professional cameraman and a studio-master. His studio was located in one of the sectors set up by an Industrial corporation, HECL (Heavy Engineering Corporation Limited), not far from their hom