A Family of Freedom Fighters

It is unusual to see Bijoy clothed in a North Indian Dhoti (loose drape pants) because most young boys his age wore half pants. Apparently he had begun to dress like an adult to display his commitment to the independence struggle; perhaps he felt that serious work required an adult attire. And he was not alone in his commitment – several leaders of the Independence movement had recruited large numbers of young boys to act as secret messengers to deliver letters in nearby towns and villages. Whenever the policemen came around on suspicion and to arrest Bijoy (they would come around often) his proud mother Pareshwari Devi would instruct Bijoy – “If you sign any police papers for an early release, do not come back to this house”.

The Kurukh Adivasi family of Argora

Here my aunt stands straight and bold, with her hands crossed, next to her elder sister (standing middle), Ramkrishna, whom she lovingly called Chamguru, as it was the name of the village she was married into. In the middle, seated is her eldest sister Seeban with her two daughters, Peetal and Dol. The little boy is their youngest brother Vimal. The awkward gentleman standing right most was their next door neighbour. Badi-mumma cannot recollect his name but says that Vimal had invited him to be photographed and he acceded. The photograph was taken outside their home by their bhatu (brother-in-law) Naru Toppo, Seeban’s husband. Naru was a local  professional cameraman and a studio-master. His studio was located in one of the sectors set up by an Industrial corporation, HECL (Heavy Engineering Corporation Limited), not far from their hom