No image or text may be used or published elsewhere without prior permission. Any unauthorised use may lead to prompt legal action. Permission requests can be sent to hello@indianmemoryproject.com
• Image rights belong to the guardian(s) of the photograph.
• Text rights belong to Indian Memory Project unless stated otherwise.
• The project does not share any information about contributors without their explicit permission.
We hope you enjoy this archive as much as we enjoy building it.
A culture’s memory survives because a few understood that their stories were worth keeping.
Our Circle of Patrons are the people who carry that understanding forward — whose support allows us to seek out, document, and preserve personal histories that would otherwise disappear. Their generosity has helped build an archive that now reaches schools, institutions, researchers, and families across the Subcontinent and the world.
This is quiet, lasting work. And it has been made possible with people like them. If you’d like to become a patron of the project please write to us at hello@indianmemoryproject.com
No image or text may be used or published elsewhere without prior permission. Any unauthorised use may lead to prompt legal action. Permission requests can be sent here.
• Image rights belong to the guardian(s) of the photograph.
• Text rights belong to Indian Memory Project unless stated otherwise.
• The project does not share any information about contributors without their explicit permission.
We hope you enjoy this archive as much as we enjoy building it.
My grandmother was only four years old when her family first left for Dacca from Sylhet but when the family continued to feel threatened, they decided to go on to Calcutta (now Kolkata). For the safety of their family, my great grandparents sacrificed all their assets and properties they had
It is unusual to see Bijoy clothed in a North Indian Dhoti (loose drape pants) because most young boys his age wore half pants. Apparently he had begun to dress like an adult to display his commitment to the independence struggle; perhaps he felt that serious work required an adult
Born in 1932 in Chikodi village, Belgaum on the current Maharashtra-Karnataka border region, Annasaheb was born in a multilingual environment. My great grandfather Gurunath, was a zamindar (large estate owners) and owned lands in the fertile zone on the banks of River Krishna, where production of cash-crop tobacco was extremely
In the mid nineties things became even more interesting for my father with a commission from the Election Commission. They wanted him to make a campaign video to create awareness about voting. His awareness campaign was such a big success that it was made into a commercial CD. And that
Anusha Yadav is a multidisciplinary artist working in medium of photography, paper art, and graphic design. She is the founder of Indian Memory Project, one of the most influential online public memory projects globally. The project has subsequently reshaped how archives are engaged with, generating thousands of academic, editorial, and cultural enquiries worldwide.
Anusha’s practice bridges artistic conversation, and public viewership through investigative research, aesthetical advantage, emotional connection, and care. Rooted in personal curiosities and lived inquiry, her work demonstrates that cultural knowledge can be rigorous, generous and delightful, without relying on obscurity or institutional language as a measure of seriousness.
Anusha lives and works in India, and intermittently in the UK. She can by reached at hello@indianmemoryproject.com. You can see more of her work at anushayadav.com and at foldbyanushayadav.com
